JUNK JEWELLERY
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Mrs. Payal Kurian, Indian Jewellery Designer, Carbon, Bangalore conducted workshop on junk jewellery on Dec 2005. Junk jewellery is a combination of designs on ones own taste and imagination. |
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The workshop resulted in producing a
wide range of jewellery designs constructed with collection of
different type of natural materials with inter-mingling of plastics and
synthetic stones. The material used in the junk jewellery was nuts,
petals, plastic beads, metallic beads, feathers, dried and laminated
leaves etc.
Ms. Kurian elaborated that these
designs could take up various natural shades and colors of blue,
yellow, pink, red, rust or gray creating a modern appeal. The
traditional shapes and the motifs like fauna and flora were also used
to create a combination of modern and tribal designs. Ms. Kurian
explained that this manifests more contemporary look and the jewellery
can be used in different occasions.
LAPIDARY
Mr.Srikar
Rao, Gemologist and owner of quartz mines presented a lapidary workshop
(lapidary- an art of gem cutting and polishing) focused on the
techniques of gem selection and cutting/polishing gems.
The
techniques of lapidary are vast and Mr.Rao presented it to the level of
a beginner to a professional technocrat. The whole presentation focused
on the techniques as he used partially cut and polished gemstones in
each stages of cutting and polishing. The day long workshop gave
immense outlook to the students about the field of gem cutting and
polishing.
PASSION JEWELLERY
July
–2006 witnessed a workshop on Passion jewellery, which was conducted by
Mrs. Antonio Raj, International Jewellery designer and proprietor of
Passion jewellery, Sri Lanka. The workshop mainly focused on the
techniques of jewellery making by using beads and semiprecious stones
in jewellery. Passion jewellery is a form of jewellery, which focuses
on the needs of fashion and glamour. The design produced during the
workshop had both contemporary and modern appeal.
The
techniques like simple chain making, dazzles making and use of
different elements in different location of a design made the jewellery
more beautiful and elegant. The designs were mainly crafted by using
varied coloured stones, i.e., natural, semi precious and synthetic
stones with the combination of brass, metal beads, silver beads, and
aluminum and alloyed beads. The beads contributed varied metallic
luster and colour to the jewellery designs.
Jewellery
crafted in such manner can be used festival and party occasions. The
products were affordable and more attractive in its look.
ARTIFICIAL JEWELLERY
On
Oct-2006 jewellery workshop was held on artificial jewellery. This was
conducted by Mrs. Antonio Raj, International Jewellery designer and
proprietor of Passion jewellery, Sri Lanka. The workshop resulted in
many jewellery designs crafted and created the students in the one day
workshop.
Artificial jewellery is a recently
developed trend in jewellery industry. In this jewellery, we use only
artificial stones and metallic beads. Artificial stones made of plastic
and synthetic stones were used during the workshop. Stones with
different color, hue, carving, and metallic beads made of silver;
stainless steel, aluminum, brass, wood, and resin were used as major
components in the jewellery. The techniques like simple chain making
was used for connecting the stones and different findings made of
brass, silver, stainless steel was used to connect various links in
different locations of the jewellery.
The
crafted designs were very colorful and vibrant and had an attractive
look. The designs were made based on the difference in color and luster
of various metals. This jewellery was every women’s jewellery, which
any one could learn easily and, make their own designs and use it in
for daily use, on different occasions with different colored attire.
TEITE'-E'-TETE' WITH BIDDAPPA
Prasad
Biddappa, a popular figure of the contemporary fashion scene,
privileged the students of Vogue Institute Of Fashion Technology
(November, 2006) by his address on the common issues that students face
while stepping into the fashion foray.
The
fashion guru’s primary emphasis was on the promotion of khadi. He said,
as upcoming designers it should be inevitable that we promote khadi,
one of our traditional fabrics, which is far more versatile, with
respect to design innovation than imported fabrics like linen, silk and
cotton which are being given more importance. He added, that young
designers need to rise to the occasion of promoting khadi on an
international level, by expressing their creativity and talent.
Mr.
Prasad Biddappa, then spoke of branding, which he said is one of the
most important factors for success and recognition in the fashion
fraternity. According to him, one of the best ways to promote oneself
as a designer is to use one’s name or a few alphabets from the name as
a brand name. A simple logo creates an impact and lends identity to
one’s brand. Branding amounts to customer recall, loyalty and brand
popularity.
According to Mr. Biddappa few
factors that a designer has to bear in mind while designing whether it
be a bridal collection or a casual wear are the traditions, the
culture, the climatic conditions and natural light of the region in
question.
Mr. Biddappa went on to answer student’s queries and elaborated upon the future careers and endeavors available to them.
WORKSHOP IN PATTERN MAKING & GRADING
A
workshop on pattern making & grading was conducted in February
2007, by Mr.Tiziano, Fashion Designer and Master in Pattern making from
Venice, Italy. It was an interesting insight into the international
techniques and methods used in the hard-to-perfect subjects of pattern
making and grading. The 3 day workshop offered an opportunity to learn
the basic aspects of pattern making and the quick skills required to
produce the perfectly fitting pattern. Students were also taught quick
grading methods for fast and efficient grading of patterns to various
sizes. They were given useful suggestions on the commonly faced fitting
problems and how to eliminate them. Tips on how to alter finished
garments to fit different body types helped to deal with critical
clothing crisis and taking immediate decisions without waste of fabric
or time.
All in all, it was very informative
about techniques and skills of pattern making and grading practiced on
international level and how they could be adopted towards making better
garments. |